Philippe Van Snick’s disposable moments, captured on a recent holiday in France, could very well read like a study for a new series of stills by the characteristically abstract artist. Or is that wishful thinking on our part?
























Philippe Van Snick’s disposable moments, captured on a recent holiday in France, could very well read like a study for a new series of stills by the characteristically abstract artist. Or is that wishful thinking on our part?