“When I am unable to start working, I tend to go for a walk (mostly in the nightime), I take a book and read, reorganise my studio or take up older works. The canvas remains blank for a while, but even then I give it a push. Even if it’s not completely good, I paint the entire canvas until it has a first layer of paint over which I can paint the day after. Then at least I have an image that I can criticise. Worrying about a blank canvas or painting is useless. It is not the moment one stands before a new canvas that I start thinking about what to paint; when I order the canvas I already know what to do with it. There are some canvasses that I have been working on for years now, I paint over them, or they are waiting for the ’moment of genius’ to get things right. ” Vadim Vosters (32) currently works on a painting for the Hermitage Museum in Amsterdam, a light installation for De Markten in Brussels and a performance video for an installation in Ukraine.