The Economy Edition
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  • Issue #14
  • April-May 2018
  • 100 Pages
  • On Antwerp’s diamond cutting industry
  • On subsidy cuts to the local cinema scene by Gwen Brees
  • On Being an in-betweener kind of art fair by Amélie Quillet & Niekolaas Johannes Lekkerkerk
  • On blockchain’s potential for creative industries by Dimitri De Jonghe
  • On riot’s potential in bringing about real economic change by Dimokritos Kavadias
  • “I don’t trust anyone who says they don’t like pop music!” Inne Eysermans on new adventures in sound art
  • What lies ahead for Brussels’ post-midnight economy
  • Zones Sensibles
  • Mais ouais! The baffling story of the Brussels-based label, unheard of to local audiences save for the enlightened few, that went on to release some of the most daring electronic music to be found
  • Sarah Lowies vivid new realism
  • Inside the studio of Hannelore Van Dijck
  • “My music was synchronised with Pamela Anderson’s boobs and that’s something not many people can say!” Jean-Marc Lederman’s long-winded adventures through the music busines’ tricky and treacherous waters
  • All that jazz
  • Serial collector Steven Keimi on the work of a lifetime
  • “Cycling really should break free from the ‘leisure’ category.”
  • Do the right thing
  • The short haul
  • The Word turns ten